From Glass Cases to Digital Screens - space, objects, and digital technology, 7.5 credits

Från glasmontrar till digitala skärmar - rum, föremål och digital teknik, 7.5 hp


Main field of study

Culture and Media Production

Course level

First cycle

Course type

Single subject and programme course


Bodil Axelsson

Course coordinator

Bodil Axelsson


ECV = Elective / Compulsory / Voluntary
Course offered for Semester Weeks Language Campus ECV
Single subject course (Half-time, Day-time) Autumn 2021 202144-202203 Swedish Norrköping

Main field of study

Culture and Media Production

Course level

First cycle

Advancement level


Entry requirements

General entry requirements for undergraduate studies


If the LiU coordinator for students with disabilities has granted a student the right to an adapted examination for a written examination in an examination hall, the student has the right to it. If the coordinator has instead recommended for the student an adapted examination or alternative form of examination, the examiner may grant this if the examiner assesses that it is possible, based on consideration of the course objectives.

Students failing an exam covering either the entire course or part of the course twice are entitled to have a new examiner appointed for the reexamination.

Students who have passed an examination may not retake it in order to improve their grades.


Three-grade scale, U, G, VG

Other information

Planning and implementation of a course must take its starting point in the wording of the syllabus. The course evaluation included in each course must therefore take up the question how well the course agrees with the syllabus. 

The course is carried out in such a way that both men´s and women´s experience and knowledge is made visible and developed.


Institutionen för kultur och samhälle
Code Name Scope Grading scale
EXA1 Examination 7.5 credits U, G, VG


Drotner, Kirsten, Dziekan, Vince, Parry, Ross, Schrøder, Kim Christian, (2019) ˜Theœ Routledge handbook of museums, media and communication

ISBN: 9781138676305, 1138676306

Gröppel-Wegener, Alke, Verfasser, Kidd, Jenny, (2019) Critical encounters with immersive storytelling

ISBN: 9780429621512, 0429621515

Kirshenblatt-Gimblett, Barbara, (1998) Destination culture : tourism, museums, and heritage Berkeley : Univ. of California Press, cop. 1998

ISBN: 0520204670, 0520209664, 9780520209664


Herlitz, A., Westin, J., Assembling Arosenius–staging a digital archive Museum Management and Curatorship 2018, 33(5):447-466
Jonathan Crary, Géricault, the Panorama, and Sites of Reality in the Early Nineteenth Century 2002
Kenderdine, Sarah, Chan, Leith K.Y., Shaw, Jeffrey,, Pure land: Futures for embodied museography Journal on Computing and Cultural Heritage 2014, 7(2)
Kocsis, Anita, Barnes, Carolyn, Kenderdine, Sarah, Digital Mediation and Museum Space 2012
Sylaiou, Stella, Kasapakis, Vlasios, Dzardanova, Elena, Gavalas, Damianos, Leveraging Mixed Reality Technologies to Enhance Museum Visitor Experiences 2018
Wagner, K., The mummy and the medical gaze: digital visualisations in the British Museum’s exhibition Ancient lives, new discoveries Museum Management and Curatorship 2017, 32(2):160-175

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